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Nostalgia del Fascismo | Rony Gullé

 

Nostalgia del fascismo (Nostalgia of Fascism) it is a book of artist of Rony Gullé (Chile, 1965) in which he postulates that fascism has its origin in the cradle of the Western civilization. The artist employs the mythological stories to develop the story of two orphan brothers that fight for power.

The narration in images corresponds to a series of xylographies developed in 2016 which nurtured of the appropriate images of the foundational cultures of the West (Greece, Rome, etc.) which  paradoxically seem to talk about present.

 

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Additional information
Weight 9 kg
Dimensions 80 × 65 × 10 cm
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About the author

About the author

Rony Guillé (Santiago de Chile, 1965)

Bachelor in Literature Universidad de Concepción 1984

Bachelor in Art specialized in Painting Universidad de Chile 1986. Since the end of the 80´s he participates in independent projects of publication and edition. Since 2018 he belongs to the collective ELA (editions of books of artist). He lives and works in Las Cruces and Santiago.  

Nostalgia del fascismo (Nostalgia of Fascism) it is a book of artist of Rony Gullé (Chile, 1965) in which he postulates that fascism has its origin in the cradle of the Western civilization. The artist employs the mythological stories to develop the story of two orphan brothers that fight for power. 

The narration in images corresponds to a series of xylographies developed in 2016 which nurtured of the appropriate images of the foundational cultures of the West (Greece, Rome, etc.) which  paradoxically seem to talk about present. 

 

Technical Specifications

Author: Rony Gullé

Format: Hard covered book in serigraphy in one color on red canvas. Inside booklets printed in Guarro Paper Biblos and Super Alfa of 250g . Xylograpies printed in typographic black ink, texts printed with serigraphy of in one color.

Publisher: self publication

Dimensions: 78 x 58 x 3 cm (closed) 78 x 116 cm (opened)

Print run: 9 numbered and signed copies.

Language: Spanish

Collections: –

Year of publication: 2018